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A HUNTER'S RETURN TO THE GOOD COUNTRY
Group show
April 2-30, 2009

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Fontanelle Gallery is pleased to present A Hunter's Return To The Good Country, an exhibition featuring work by Jessie Bean, Amy Chan, Rachel Denny, Jessica Polka, Brieana Ruais, Michael Russem, and Wesley Younie. These seven artists offer unique insights into our most primal instincts as hunters and gatherers through a variety of mediums including sculpture, embroidery, painting, drawing, assemblage, and installation. The works on view have all been created with a common passion for collecting, cataloguing, displaying, and questioning elements from our natural and physical world.
After leaving Earth's ancient forests, man suffered the loss of connection to the woodlands it once considered so sacred. In an attempt to patch the gap created by the transition between rural and urban environments, man sought to bring the magic home with them. Some displayed their "hunting trophies" out of pure lust for the beauty of the physical and natural world. Others could not contain their instinctual curiosity and began to examine their gatherings further. They started cataloguing the seemingly dull with an appetite to reveal the wonder of the universe and our place in it. They intuitively knew that through examining even the smallest component, something glorious and new would reveal itself.
The exhibition will appear as a curious reliquary, presenting the artists' nostalgic attempts at exploration by showcasing reinterpreted antiquities. Influences of Victorian era fascination with the natural world can be observed in Rachel Denny's modern version of domestic "taxidermy" wall ornaments made from recycled sweaters. Jessica Polka honors great 18th century scientific discoveries and illustrations with her crocheted and embroidered "specimens", reminiscent of those found in Seba's Cabinet of Natural Curiosities. Michael Russem's delicate graphite renderings of antique postage stamp collections pay homage to some of the most important contributors to 20th century book and letter arts. In addition to other work, Wesley Younie will present the findings of a fictional naturalist in a special diorama installation.
TO PURCHASE ARTWORK PLEASE VISIT THE
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Amy Chan
Nelsonite Gouache and color lithograph on paper
16 x 20 x 5 |

Rachel Denny
Aque Doe Polyurethane foam, wool, thread, wood
16 x 8 x 13 |
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Amy Chan
White Wave Gouache and color lithograph on paper
30 x 35 x 5 |

Rachel Denny
Cabled Buck Polyurethane foam, wool, thread, wood
24 x 10 x 20 |
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Amy Chan
Mustard Pom Gouache and acrylic on paper
33 x 29 x 4 |

Wesley Younie
Brown Pelican Acrylic and gold leaf on board |
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Michael Russem
0-9 Worm Pencil on paper
8 1/2 x 5 1/2 |

Brieana Ruais
Wilderness Survival Kit For The Colonial Woman Antler, thread, antler pieces, nails, felt, needles, pins, wood
6 x 12 |
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Wesley Younie
Great Auk, Pinguinus impennis Acrylic, ink and gold leaf on board |

Brieana Ruais
Watch Me Unravel, I'll Soon Be Naked Embroidery thread, found brnches, paper, colored pencil, wood, antler
27 x 72 |
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Michael Russem
Zeros and Ones Pencil on paper
8 1/2 x 5 1/2 |

Brieana Ruais
Camping With Ryan
Fabric, found branches, sculpee, aluminum leaf, cardboard, wooden dowel, aluminum lamp
26 x 72 |
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Jessie Bean Goodman
Dream Bones Glass, wood, brass |

Jessica Polka
Peneaus notialis
Yarn, felt, glan beads, paper
5 x 2 x 1 |
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Wesley Younie
Great Egret, Ardea alba Acrylic on board |

Jessica Polka
Fig. 1 Embroidery thread on cotton
6"
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Michael Russem
2X4 Diamond Pencil on paper
5 1/2 x 8 1/2 |

Michael Russem
Single Stamp #7 Pencil on paper
5 1/2 x 8 1/2 |
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Jessie Bean Goodman
Wisdom Porcelain, glass, velvet |

Jessie Bean Goodman
Peace Bone Porcelain, copper, brass, wood |
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Wesley Younie
A Hunter's Return To The Good Country installation |

Brieana Ruais
Around The Mountain (She'll Be Coming) Found driftwood, wood, pyrography, thread
10 x 36 |
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A HUNTER'S RETURN TO THE GOOD COUNTRY, April 2009 |

A HUNTER'S RETURN TO THE GOOD COUNTRY, April 2009 |
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